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Edmund Clark, In Place of Hate (2017) ©Edmund Clark
Edmund Clark, In Place of Hate (2017) ©Edmund Clark
Edmund Clark, In Place of Hate (2017) ©Edmund Clark

Genesis client, Edmund Clark premiers new work as Ikon Gallery’s artist-in-residence at Europe’s only entirely therapeutic prison, HMP Grendon, in Buckinghamshire.

Established in 1962, HMP Grendon requires inmates to accept responsibility for their offence. Within the prison environment they can exercise a degree of control over the day-to-day running of their lives, making a commitment to intensive group therapy and democratic decision-making, whilst holding each other to account. Evidence shows that Grendon has delivered lower levels of violence in prison and reduced instances of reoffence after release.

Clark, an artist with a longstanding interest in incarceration and its effects, has worked with inmates, prison officers and therapeutic staff, immersed himself in the prison routines and taken part in wing community meetings, a key element of life at Grendon.

Clark’s work is shaped by his engagement with issues of censorship, security and control. He cannot make images that reveal the identity of the prisoners or details of the security infrastructure and so his response has been to create work that explores ideas of visibility, representation, trauma and self-image. These themes influence how prisoners and the criminal justice system are perceived by the public, politicians and media and are above all central to the experience of the men and staff engaged in the therapeutic process at Grendon.

This exhibition is the culmination of Edmund’s residency, comprising photography, video and installation.

Edmund Clark: ‘In Place of Hate’ at Ikon Gallery

December 6, 2017 – March 11, 2018

1 Oozells Square

Brindleyplace

Birmingham

B1 2HS

 Find Out More About ‘In Place of Hate’

About Edmund:

Edmund Clark is an award-winning artist whose work links history, politics and representation. Recent works Negative Publicity: Artefacts of Extraordinary Rendition’, The Mountains of MajeedGuantanamo: If The Light Goes Out’ and Control Order House’ engage with state censorship to explore the hidden experiences and spaces of control and incarceration in the Global War on Terror’. His work has been exhibited widely including major solo museum exhibitions at the Imperial War Museum, London and Zephyr, Reiss-Engelhorn-Museen, Mannheim.

 Visit Edmund’s Website